KD-01
SPECIMEN KD-01LUMINOUS
Reel Eel
Anguilla cinematica
A 35 mm ribbon that decided to be a fish. Feeds on twenty-four frames per second and sheds finished sequences whole. Startles into a jump cut.
AI Karamba · Tel Aviv · presents
The Depth
Collection
A natural-history museum for unnatural art. Every specimen in this hall — animation, image and sound — was grown inside a machine at the AI Karamba studio, then released into the dark to glow.
“Art in the AI age is a weird thing, but hey, until the robots will take things over, let’s have some fun.”
— Zvi Talit, founder & head curator, AI Karamba
01
Do not tap the glass
They hear you. They hold grudges. They keep count.
02
No flash photography
Pointless. The exhibits bring their own light.
03
Ignore the wall text
House rule, quoted from the studio floor: “forget about the text, scroll down and enjoy.”
Floor plan · one hall, three wings
You are here
Tap a wing to walk there. No stairs, no queue — the building is a webpage.
Wing I · vids
The Motion Hall
“From abstract motion to storytelling sequences.”
Two resident specimens below. The full school of commercial AI animations swims free at the studio.
KD-02
SPECIMEN KD-02SCREENING
The Projectionist
Medusa lucida
A jellyfish that runs a continuous programme of abstract motion onto the tank floor. Admission is plankton. Reviews are mixed, but glowing.
Wing II · pics
The Still Gallery
Twenty-five-plus images grown in the studio’s Midjourney tanks — beaches, astronauts, vintage posters, and other habitats.
KD-03
SPECIMEN KD-03ON VACATION
The Sunbather
Theodorus recumbens
Preserved mid-vacation, after the studio portrait “Theodor Herzl relaxing on beach”. Beard: historically accurate. Sunglasses: speculative. If you will it, it is no daydream.
KD-04
SPECIMEN KD-04IN ORBIT
Cosmonaut Medusa
Medusa gagarini
From the studio’s astronaut series. Wears the helmet on principle — space, it maintains, is just the sea with the lights off.
KD-05
SPECIMEN KD-05REPRINTING
The Poster Ray
Manta deco
After the studio’s vintage-poster series. Migrates seasonally between Art Deco and Art Nouveau, and winters in halftone.
Wing III · sounds
The Sound Vault
Nine machine-made tracks live in the vault; four specimens are on display. The vault itself is silent by design — the noise lives on Suno. These are only the shapes it makes.
KD-06
TRACK 01 / SPECIMEN KD-06IN THE RING
“Not My Circus”
Medusa tentorium
A big top that learned to swim. Runs three rings below the bell. Not its circus, not its monkeys — technically, none of this is.
KD-07
TRACK 02 / SPECIMEN KD-07GROOVING
“We Love Hippies”
Octopus pacificus
Ties its own dye. Eight arms, zero ambitions, one pendant. Groovy is a survival strategy down here.
KD-08
TRACK 03 / SPECIMEN KD-08COMPRESSING
“Digital Decay”
Piscis corruptus
Half fish, half compression artifact. Sheds pixels when nervous. Conservation status: lossy.
KD-09
TRACK 04 / SPECIMEN KD-09FEEDING
“The Algorithm Ate My Soul”
Machina esuriens
A feeding demonstration, permanently in progress. The soul is fine. It’s in there. You can see it glowing. Probably fine.
Five more tracks sleep in the vault, unexhibited. The curator says they’re “resting”. Hear all nine ↗
Last room before the surface
Exit through
the gift shop
The shop stocks exactly one item, in unlimited supply: a conversation with the curator. Human language, real projects, no robots on the call — for now.
WhatsApp the curator
Glass taps recorded this visit: 0. The specimens forgive you. Mostly.